A few weeks ago, I sat on a panel for the 32nd Intercultural Communication Conference at Texas Southern University. The subject for this year’s conference was the effects of Black music on Black life. I argued that contemporary Black music inaccurately reflects the Black experience in America. A large majority of modern Black music (read: Hip-Hop & B) features the same theme of ostentatious wealth and gauche misogyny, to the point where a slight deviation can be lauded as something other than a softer version of the same theme.
Questlove, of the (world famous) Roots, in his third installment of his six-part weekly series of essays, takes the theory of Hip-Hop as cultural drag and takes it a step further, arguing that the concept of Black cool has lost its luster in the current of Hip-Hop in the 21st century:
These days, the vast majority of hip-hop artists follow a…
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